Polyphonic octave-down fuzz modulator.
If you’ve ever awoken in a cold sweat dreaming of synthesizers, we’ve got just the ticket: Lysis. There’s always been something about synth players for which guitarists and bassists alike have yearned. Though they’re essentially the same instrument, the onboard accoutrements are what makes all the difference—oscillators, filters, LFOs; these are the makings of true electronic synthesis, and these are all things we stuffed into the Lysis.
All of the bells and whistles of synths are featured in full within the walls of the Lysis. For starters, the Lysis serves up a specially-designed wave-shaping fuzz circuit. This helps the Lysis sound more like a square wave or sawtooth wave.
The DSP-controlled polyphonic octave circuit takes all the clang you’ve cooked up and sends it south, to a rich two-voice octave-down synthesizer that tracks one note or 88, all at once. Serve Lysis your longest signal chain on a platter, and it will eat it for breakfast.
The Filter section is where things get really interesting. For starters, the Lysis gives you the option to blend the octave/fuzz section with the filtering, so you can enjoy punishing octave-down fuzz, rich, goopy filter sweeps or anything in between. The Lysis also gives you a switchable high-pass and low-pass filter, along with the option to manually manipulate the filter’s cutoff or have it automatically modulate.
|Highlights||Two-voice octave-down synth
Polyphonic octave circuit
Specially-designed wave-shaping fuzz circuit
Fixed mode (vibrato), filter mode (LFO filter)
Expression pedal input (controls Freq)
Hand-made in Montreal, Canada
|Power consumption||9V DC center negative (power supply sold separately)
|Dimensions||H: 5,3 cm (incl. knobs)
W: 11,9 cm
D: 9,4 cm